Music and Lyrics
Theatrical release poster
Directed byMarc Lawrence
Written byMarc Lawrence
Produced by
  • Martin Shafer
  • Liz Glotzer
Starring
CinematographyXavier Pérez Grobet
Edited bySusan E. Morse
Music byAdam Schlesinger
Production
companies
Distributed byWarner Bros. Pictures
Release date
  • February 14, 2007 (2007-02-14) (United States)
Running time
104 minutes
CountryUnited States
LanguageEnglish
Budget$40 million[1]
Box office$145.9 million[1]

Music and Lyrics is a 2007 American musical romantic comedy-drama film written and directed by Marc Lawrence. It focuses on the relationship that evolves between a former pop music idol (of the fictional band PoP!) and an aspiring writer as they struggle to compose a song for a reigning pop diva.

The film was released on February 14, 2007, by Warner Bros. It received mixed-to-positive reviews from critics, who praised Grant's performance and the musical numbers but found the film simplistic, and grossed $145.9 million worldwide.

Plot

Alex Fletcher is a washed-up former pop star (from the British group 'PoP!') who seems happy in his "has-been" status, performing for 80s-loving fans at reunions and random locations, when his manager tells him Cora Corman, a young megastar, wants him to write a song for her, titled "Way Back Into Love". Alex is reluctant to compose again after two decades, because his strength was always the tune while his ex-partner Colin always wrote the words. However, his caring but professional manager tells him that his music career is completely doomed if he doesn't switch gears—interest in his nostalgia concerts is dwindling.

During an unsuccessful attempt to compose the song in collaboration with a "very hip, very edgy" lyricist, Alex discovers that the woman who is temporarily watering his plants, Sophie Fisher, has a talent for writing lyrics. Alex, on a 48-hour deadline to write the song, asks her to help him, but she refuses multiple times, to the chagrin of her older sister Rhonda, who happens to be a huge fan of Alex. It's not until Alex composes a lovely song with some of Sophie's lyrics and plays it for her that she realizes they could do it. Over the next few days, they grow closer while writing the words and music together. Sophie reveals she lost confidence in herself and abandoned writing after a disastrous romance with her English professor Sloan Cates.

Barely meeting the deadline Cora has set for the song's delivery, Alex and Sophie are thrilled when she accepts it; however, at a celebratory dinner with Alex's manager Chris and his wife, Sophie is mortified to encounter Sloan. She confronts him but finds herself tongue-tied in his presence, and Alex's own attempts to defend her result in a scuffle. Nursing their wounds back at Alex's apartment, Alex and Sophie fall into an unplanned romantic encounter.

When Cora invites Alex and Sophie to hear her interpretation of "Way Back into Love," Sophie is horrified by her Indian-vibed, sexually confident interpretation of their earnest song. Alex rushes Sophie out of the room before she can say anything, and tells her he agrees it's awful but says they need to accept it as the cost of doing business. Later at Cora's party, despite Alex's best efforts to block her, Sophie finally tells Cora that she feels the new arrangement clashes with the insecurity expressed in the song's lyrics. Cora says she's still going to perform it her way, but expresses appreciation for Sophie's honesty. Sophie leaves Alex when she gets upset by his willingness to demean his talent and his claim that Sloan was right about her personality.

Sophie, intending to start a new life in Florida, reluctantly attends the opening of Cora's new tour at Madison Square Garden, at which Alex and Cora will debut "Way Back Into Love". Upon hearing that Alex is singing a new song "written by Alex Fletcher", Sophie, believing that Alex is stealing credit for her work; attempts to leave; but however, the song Alex sings is called "Don't Write Me Off", his plea for Sophie to give him another chance. A touched Sophie finds Alex backstage and he confesses to having successfully convinced Cora to drop the risqué version of "Way Back into Love" in an attempt to win Sophie back. He and Cora perform the tune as he and Sophie intended it to be sung.

The end of the movie (an homage to VH1's Pop-Up Video) reveals that the song becomes a hit for Cora and Alex, the film version of Sloan's novel flops with critics and moviegoers (destroying his career), PoP! reunites for their induction into the Rock and Roll Hall of Fame, after which their lead singer Colin Thompson (who left the band with some of Alex's songs to start a solo career) winds up having his hip replaced after years of dancing, and Alex and Sophie go on to become successful partners, both in songwriting and romance, with five more new pop hits.

Cast

Reception

Critical response

On Rotten Tomatoes, the film holds an approval rating of 63% based on 169 reviews, with an average rating of 6/10. The site's critical consensus reads, "Music & Lyrics is a light and pleasant romantic comedy that succeeds because of the considerable charm of its co-stars. The music segments featuring Hugh Grant are worth the price of admission."[6] On Metacritic the film has a weighted average score of 59 out of 100, based on 30 critics, indicating "mixed or average reviews".[7] Audiences polled by CinemaScore gave the film an average grade of "B" on an A+ to F scale.[8]

A.O. Scott of The New York Times called the film "the type of modern Hollywood production that aspires to nothing more than the competent dispensing of mild amusement and easy emotion. The writer and director, Marc Lawrence ... shows some imagination as he parodies the music-video styles of various eras, and he contrives a bit of novelty in making the movie's central couple creative partners as well as potential lovers ... Mr. Grant is at his best when he allows a hard glint of caddish narcissism to peek through his easy flirtatiousness, something he did in About a Boy and American Dreamz. There is not quite enough of that here, nor enough of the anarchic loopiness that Ms. Barrymore brought to roles opposite Adam Sandler in The Wedding Singer and 50 First Dates."[9]

Mick LaSalle of the San Francisco Chronicle observed, "Writer-director Marc Lawrence makes a talk-heavy variety of romantic comedy that not everyone likes - Miss Congeniality, Two Weeks Notice, Forces of Nature - but he does it well. Moreover, Music and Lyrics has virtues its predecessors lack. Scenes play out longer than in most films, and conversations have a chance to evolve. Also, because much of the film places the protagonists in rooms together, working for extended periods, there are an unusual number of two-person scenes, giving the actors the chance to show their charm, work off each other and develop the nuances of interaction ... Lawrence's take on pop music success is exactly right, satiric without being absurdist, and therefore a prize worth the effort."[10]

Todd McCarthy of Variety said "Sitcommy in structure and execution, this very mainstream romance ... offers few surprises. But its pep, agreeable performances and appealing central conceit will profitably put this Warner Bros. Valentine's Day romantic comedy over with women and couples seeking a nice diversion ... Writer-director Marc Lawrence ... makes everything about three times more obvious than it needs to be; as a director, he needs to edit himself better as a writer ... But there's energy here, and the actors feed on it."[11]

Peter Bradshaw of The Guardian rated the film two out of five stars, calling it a "very moderate romcom" and adding, "Grant and Barrymore make a reasonable odd couple, and both have charm, but this never comes to life."[12]

Philip French of The Observer said, "Grant has the occasional good line (or at least he makes a few of them seem funny), but the film limps along like someone trying to tap dance in flippers."[13]

Box office

The film opened on February 9, 2007 in the United Kingdom and Ireland and ranked #1 at the box office, grossing £1.93 million in its first weekend. It was released on 2,955 screens in the United States and Canada on February 14 and grossed $13,623,630 on its opening weekend, ranking #4 at the box office[1] behind Ghost Rider, Bridge to Terabithia, and Norbit. It eventually grossed $50,572,589 in the US and Canada and $95,323,833 in foreign markets for a total worldwide box office of $145,896,422.[1]

Soundtrack

Music and Lyrics soundtrack

Music and Lyrics: Music from the Motion Picture is the 2007 soundtrack from the film. It was released by Atlantic Records on February 13, 2007, and features songs performed by the film's stars Hugh Grant, Drew Barrymore, and Haley Bennett. The album reached #5 on the Billboard Top Soundtracks Chart[14] and #63 on the Billboard 200.[15]

The song "Invincible" performed by Haley Bennett that plays at the end of the film credits does not appear on the soundtrack. The same is true for the song "Work to Do", written by Adam Schlesinger (who wrote most of the songs for the film) and performed by the folk band America, which plays only at the end of the film credits.

Martin Fry of pop band ABC served as Grant's vocal coach for the movie.[16] The album also reached #93 on the Australian Albums Chart.[17]

Track listing

#TitleSongwritersCredit on CD insertCredited in filmTrack Length
1"PoP! Goes My Heart"Andrew Wyatt (credited in film as A. Blakemore), Alanna VicenteAll instruments: Andrew Wyatt, Vocals: Hugh Grant, Andrew WyattHugh Grant3:16
2"Buddha's Delight (studio)"Credited in film: Christian Karlsson, Pontus Winnberg, Henrik Jonback, A. Blakemore, and Marc Lawrence

[Adam Schlesinger, Rachel Perry (demo version)] (CD credit?)

Vocals: Haley Bennett, B-vox: Lucy WoodwardHaley Bennett2:47
3"Meaningless Kiss"Adam SchlesingerSax: Jack Bashkow, B-vox: Martin FryHugh Grant3:49
4"Entering Bootytown"Andrew Wyatt (credited in film as A. Blakemore)All instruments: Andrew Wyatt, Vocals: Haley BennettHaley Bennett3.24
5"Way Back into Love (Demo Mix)"Adam SchlesingerAll instruments: Adam Schlesinger, Vocals: Drew Barrymore, Hugh GrantDrew Barrymore, Hugh Grant4:12
6"Tony the Beat"Jesper Anderberg, Johan Bengtsson, Maja Ivarsson, Frederik Nilsson, and Felix RodriguezThe SoundsThe Sounds3:10
7"Dance With Me Tonight"Clyde LawrenceIntro: Clyde Lawrence, Vocals: Hugh Grant, Andrew Wyatt, Sax: Sam AlbrightHugh Grant3:00
8"Slam"Andrew Wyatt (credited in film as A. Blakemore) and Marc LawrenceVocals: Haley Bennett, B-vox: Andrew WyattHaley Bennett3:48
9"Don't Write Me Off"Adam SchlesingerPiano: Adam Schlesinger, Vocals: Hugh GrantHugh Grant2:30
10"Way Back into Love (unlive)"Adam SchlesingerAll instruments: Adam Schlesinger, Vocals: Hugh Grant, Haley Bennett, B-vox: Britta Phillips, Kelly JonesHaley Bennett, Hugh Grant4:37
11"Different Sound"TeddybearsVocals: Malte Holmberg (Sweden)Teddybears3:23
12"Love Autopsy (studio)"Marc LawrencePiano: Michael Rafter, Vocals: Hugh GrantHugh Grant0:40

Charts

Chart (2007) Provider Peak
position
Austrian Albums Chart[18] Media Control 21
French Albums Chart[18] SNEP/IFOP 118
German Albums Chart Media Control 26
Swiss Albums Chart[18] 21
U.S. Billboard 200 Billboard 63

Home media

The film was released on DVD, HD-DVD and Blu-ray on May 8, 2007.

References

  1. 1 2 3 4 Music and Lyrics at Box Office Mojo
  2. "Music and Lyrics (2007)" Archived 2013-12-24 at the Wayback Machine Entertainment Weekly.
  3. "Music and Lyrics" Archived 2010-02-08 at the Wayback Machine. eFilmCritic.
  4. ASIN B000M5B6Q0, Music and Lyrics [Soundtrack]
  5. "Music And Lyrics" Archived 2010-04-11 at the Wayback Machine. Wild About Movies.
  6. Music and Lyrics at Rotten Tomatoes
  7. Music and Lyrics at Metacritic
  8. "Find CinemaScore" (Type "Music and Lyrics" in the search box). CinemaScore. Retrieved December 25, 2020.
  9. A.O. Scott (February 14, 2007). "Melodic Guy, Verbal Gal Meet Cute and Get Lyrical". The New York Times. Archived from the original on March 27, 2009. Retrieved February 11, 2017. Music and Lyrics, in contrast, is the type of modern Hollywood production that aspires to nothing more than the competent dispensing of mild amusement and easy emotion. The writer and director, Marc Lawrence ... shows some imagination as he parodies the music-video styles of various eras, and he contrives a bit of novelty in making the movie's central couple creative partners as well as potential lovers. Mr. Grant is at his best when he allows a hard glint of caddish narcissism to peek through his easy flirtatiousness, something he did in About a Boy and American Dreamz. There is not quite enough of that here, nor enough of the anarchic loopiness that Ms. Barrymore brought to roles opposite Adam Sandler in The Wedding Singer and 50 First Dates.
  10. Mick LaSalle (February 14, 2007). "When cute couple write pop songs, they may find love". San Francisco Chronicle. Archived from the original on June 29, 2011. Retrieved May 7, 2020. Writer-director Marc Lawrence makes a talk-heavy variety of romantic comedy that not everyone likes -- Miss Congeniality, Two Weeks Notice, Forces of Nature -- but he does it well. Moreover, Music and Lyrics has virtues its predecessors lack. Scenes play out longer than in most films, and conversations have a chance to evolve. Also, because much of the film places the protagonists in rooms together, working for extended periods, there are an unusual number of two-person scenes, giving the actors the chance to show their charm, work off each other and develop the nuances of interaction. ... Lawrence's take on pop music success is exactly right, satiric without being absurdist, and therefore a prize worth the effort.
  11. Todd McCarthy (February 9, 2007). "Music and Lyrics". Variety.
  12. Peter Bradshaw (9 February 2007). "Music and Lyrics". The Guardian. Archived from the original on 16 February 2017. Retrieved 12 December 2016.
  13. Philip French (11 February 2007). "Music and Lyrics". The Observer. Archived from the original on 9 March 2016. Retrieved 12 December 2016.
  14. 2007 Billboard Top Soundtracks Chart Entry
  15. 2007 Billboard 200 Chart Entry
  16. "ABC's Fry Is Hugh Grant's New Vocal Coach". Billboard.com. 2006. Archived from the original on 15 September 2014. Retrieved 29 January 2012.
  17. "The ARIA Report" (PDF). webarchive.nla.gov.au. Archived from the original (PDF) on 2007-03-19. Retrieved 4 October 2017.
  18. 1 2 3 "SOUNDTRACK - MUSIC AND LYRICS (ALBUM)". Austriancharts.
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