Ovidio G. Assonitis
Born
Ovidio Gabriel Assonitis

(1943-01-18) January 18, 1943
NationalityGreco-Italian
Occupations
  • Director
  • producer
  • writer
Years active1969–present
Websitewww.ovidioassonitis.com

Ovidio Gabriel Assonitis (born January 18, 1943) is an Egyptian-born Greco-Italian[1][2] entertainment executive, film producer, screenwriter, and director best known for his numerous B-horror films including Beyond the Door, Tentacles, The Visitor, and Piranha II: The Spawning.

Early life and career

In the mid-1960s, Assonitis began an extensive distribution network company in the Far East and in the 10-year period distributed more than 900 films[3] from offices in Thailand, Hong Kong, Singapore, Philippines, and Indonesia. His former partners and associates include HRH Prince Anusom Yukol (brother of the King of Thailand), John Litton (President of Mever Films, theater owner and former President of the Philippines Film Festival), the Shaw Brothers, Alexander Tedja, and Kong Cho Yee (of Edko Films).

Independent producing career

By the late 1960s, Assonitis began producing films himself with the documentary The Labyrinth of Sex and the giallo thriller Who Saw Her Die? which was released at the height of the giallo genre.[4] The same year as Who Saw Her Die?, Assonitis released one of his early successes, Man from the Deep River. The film and its title were mainly inspired by A Man Called Horse,[5] which also featured a white man who is incorporated into a tribe that originally held him captive. The film is the first of the subgenre of Italian Cannibal movies that were made in the late 70s and early 80s[6][7][8][9]

The following year, Assonitis produced The Last Snows of Spring. The film obtained a great commercial success, particularly in the United Kingdom and launched the career of child actor Renato Cestiè.[10] Assonitis then tried, unsuccessfully, to purchase the screen rights to William Peter Blatty's The Exorcist.[3] Assonitis then hired a succession of writers to create an original possession story, which ultimately became Beyond the Door. The film marked Assonitis' directorial debut, under his oft used pseudonym, Oliver Hellman. The film was originally set to be released by American International Pictures, Assonitis' long-term American partners; the film was picked up and released by Edward L. Montoro and his company Film Ventures International,[11] it was a huge commercial success in the United States, where it earned $15 million at the US box office and grossing in excess of $40 million world-wide. Warner Bros. promptly filed a lawsuit, claiming copyright infringement due to similarities to The Exorcist.[11]

He returned to producing with Laure, an original film based on the experiences of Emmanuelle Arsan, who wrote the original story for the film. The film was originally set to star Linda Lovelace, but due to her personal problems at the time, she was recast in the secondary role of Natalie Morgan, before being dropped from the film completely.[12][3] The same year, he produced Take All of Me directed by Luigi Cozzi.[13][14] and co-written by Assonitis' wife, Sonia Molteni, based on her original idea.

Assonitis' sophomore directing effort came after the tremendous box office success of Jaws, when he and American International Pictures produced Tentacles. The film included a star-studded cast including John Huston, Shelley Winters, Bo Hopkins and Henry Fonda. The film grossed $3,000,000 on a budget of just $750,000.[15]

In 1979, Assonitis produced The Visitor. The film was directed by Giulio Paradisi and featured another all-star cast, including John Huston, Shelley Winters, Mel Ferrer, Glenn Ford and Sam Peckinpah with a cameo appearance by Kareem Abdul-Jabbar and an uncredited Franco Nero in the prologue. The film was originally a more straight forward story with a script by Lou Comici, where a child in Atlanta is possessed by a demon and a visiting exorcist from Poland is required to free the child. However, Paradisi rewrote the script to include more science fiction elements to avoid any associations with The Exorcist.[16] The film was a commercial success in Europe upon release, but US distributor American International Pictures chose to recut the film, removing all of Franco Nero's speaking scenes and rearrange the order of some scenes, and the film was not a success. However, in 2013, independent distributor Drafthouse Films acquired the film.[17] and re-released the remastered European cut in the United States. In the years since, the film has undergone a critical re-evaluation and now holds an approval rating of 78%, based on 18 reviews, and an average rating of 6.4/10 on review aggregator Rotten Tomatoes.[18] On Metacritic, the film has a weighted average score of 65 out of 100, based on 5 critics, indicating "generally positive reviews".[19]

Assonitis returned to directing in 1981 with Madhouse, however the film featured unknown actors and found itself alongside Assonitis' 1972 film, Man from the Deep River, on the infamous video nasty list, a list of horror and exploitation films banned in the United Kingdom by the BBFC in the 1980s for violence and obscenity[20] and as a result, the film never saw a theatrical release in the United Kingdom. The same year, Assonitis was brought in by Warner Bros. to executive produce Piranha II: The Spawning, replacing Jeff Schechtman.[3][21] Miller Drake, who had been hired by Schechtman to co-write the film with Charles H. Eglee and to direct the film, however Assonitis removed Miller from the project and hired Rob Bottin to direct.[22] Bottin had already been hired to do the special effects of the film, but soon left to work on The Thing. James Cameron was then hired and rewrote the script with Eglee and Assonitis under the pseudonym H.A Milton. After the first week of shooting, the set harmony was disturbed by some discussions about the work between the director and the producers (Assonitis, asked to verify the day-to-day activities, arguing with most of Cameron's choices), so while Cameron was only responsible for the shooting, most of the decisions were under Assonitis' authority.[3][22] The film was released through Saturn International Pictures domestically and by Columbia Pictures internationally and was a box office bomb.[22]

Assonitis continued to produce throughout the 1980s with the films, Choke Canyon an action film starring Stephen Collins, Janet Julian, Bo Svenson and Lance Henriksen about a scientist trying to develop an alternative energy source while being pursued by an evil corporation; and the Miles O'Keeffe sword and sorcery film Iron Warrior distributed by Orion Pictures.

Trans World Entertainment

In 1987, Assonitis signed a multi-picture deal with Trans World Entertainment, then run by Moshe Diamant and Eduard Sarlui. The first of the films to be produced was The Farm, released as The Curse, a science-fiction horror film starring Wil Wheaton and Claude Akins, based on H. P. Lovecraft's short story The Colour Out of Space[23] The film earned $1,169,922 from its opening weekend, and finished with a gross of $1,930,001 at the box office.The film also sold considerably well on home video.[24] Over the next two years, Assonitis produced three more pictures under the deal, Sonny Boy, starring Paul L. Smith, David Carradine and Brad Dourif; The Bite and Amok Train. The Bite and Amok Train were later retitled as Curse II: The Bite and Beyond the Door III respectively to capitalise on the success of the previous films.[25]

Cannon Pictures Inc.

In 1989, he became chairman the newly relaunched Cannon Pictures Inc.[26] Assonitis was hired by Italian financier Giancarlo Parretti after the departure of former chairman Menahem Golan and the restructuring of The Cannon Group, then renamed Pathé Communications. Assonitis then green-lit several projects; Lambada, Midnight Ride, No Place to Hide, Fifty/Fifty, Out of Control (which he also directed, his final directing credit to date) as well as the sequels American Ninja 4: The Annihilation and Little Ninja Man, later retitled American Ninja 5.[27] He also developed a project Wings with announced with Michael Dudikoff, but the film was never made. Due to financial issues at the company, Assonitis' contract was terminated in 1990, before many of his projects had been released. Assonitis sued Pathé Communications for wrongful termination of his contract. He won his suit in 1998 and was awarded $2.9 million in compensation.[27]

Return to independent producing

After his termination from Cannon Pictures Inc., Assonitis took the rights to Scent of a Woman to Universal Pictures. Universal acquired the rights and remade the film as Scent of a Woman starring Al Pacino and directed by Martin Brest. Released worldwide in 1993, the film earned US$63,095,253 in the US and $71 million internationally, totaling $134,095,253 worldwide.[28][29][30] The film was nominated for four Academy Award including Best Picture with Pacino winning for Best Actor.

In the mid 90s, Assonitis worked as a consultant to Ibrahim Moussa's Stone Canyon Investments.[31] In 1998, Paul Guez bought into the company and soon after a deal was announced with MGM Animation to produce three films, beginning with Tom Sawyer and Night at the Opera,[32] however only Tom Sawyer was produced before MGM Animation folded.[33][34] The company entered into a first look deal with director Reginald Hudlin and his company Hudlin Bros.[35] However no films were produced from this deal and Stone Canyon Investments closed soon after.

After producing Sabrina Goes to Rome for Paramount Domestic Television and ABC in 1998, Assonitis produced the 2003 Italian slasher film Red Riding Hood directed by Giacomo Cimini.

Since 2003, Assonitis has concentrated on commercial and film distribution projects in South East Asia and Malaysia. In 2021, Assonitis was awarded the German Independence Honorary Award from Oldenburg International Film Festival. The festival opened with a theatrical screening of Tentacles and also conducted a retrospective of his films including Who Saw Her Die?, Beyond the Door, The Visitor, Madhouse and Piranha II: The Spawning.[36] He later announced a sequel to Beyond the Door entitled Embryo would be released in 2023 and Juliet Mills would return to star.[37]

Filmography

Year Title Functioned as Director Notes
Director Writer Producer
1969 Nel labirinto del sesso (Psichidion) No No Yes Alfonso Brescia a.k.a. The Labyrinth of Sex
1972 Who Saw Her Die? No No Associate Aldo Lado Starring George Lazenby
Man from the Deep River No No Yes Umberto Lenzi a.k.a. Sacrifice! (original title: Il paese del sesso selvaggio)
1973 Un amore cosi fragile, cosi violento No No Executive Leros Pittoni
The Last Snows of Spring No No Yes Raimondo Del Balzo (original title: L'ultima neve di primavera)
1974 Super Stooges vs the Wonder Women No No Executive Alfonso Brescia (original title: Superuomini, superdonne, superbotte)
Beyond the Door Yes Yes Yes Ovidio Assonitis and Roberto Piazzoli a.k.a. The Devil Within Her (original title: Chi Sei?)
1975 Abicinema No No Yes Giuseppe Bertolucci documentary
1976 Laure No Yes Yes Emmanuelle Arsan (credited as Anonymous) a.k.a. Forever Emmanuelle. Shadow directed by Louis-Jacques Rollet-Andriane and Roberto D'Ettorre Piazzoli
Take All of Me No No Yes Luigi Cozzi co-written by Sonia Molteni
Bertolucci secondo il cinema No No Yes Gianni Amelio documentary
1977 Tentacles Yes No Executive Ovidio Assonitis (as Oliver Hellman) Starring John Huston, Shelley Winters, Claude Akins and Henry Fonda
1978 Last Touch of Love No No Executive Filippo Ottoni co-written by Sonia Molteni
1979 The Visitor No Story Yes Giulio Paradisi (original title: Stridulum)
1981 Madhouse Yes Yes Yes Ovidio Assonitis (as Oliver Hellman) a.k.a. There Was a Little Girl
Steigler and Steigler Yes No Yes Ovidio Assonitis (as Oliver Hellman) a.k.a. Desperate Moves
Piranha II: The Spawning Yes Yes Executive James Cameron and Ovidio G. Assonitis a.k.a. Piranha 2: Flying Killers
1986 Choke Canyon No Yes Yes Charles Bail (as Chuck Bail) a.k.a. On Dangerous Ground
Lone Runner No No Yes Ruggero Deodato a.k.a. Fistful of Diamonds and Flash Fighter
1987 Iron Warrior No No Yes Alfonso Brescia uncredited
The Curse No No Yes David Keith associate producer Lucio Fulci
1989 Sonny Boy No No Yes Robert Martin Carroll starring Paul L. Smith, David Carradine and Brad Dourif
Curse II: The Bite No No Executive Frederico Prosperi a.k.a. The Bite
Beyond the Door III No No Executive Jeff Kwitney a.k.a Amok Train, starring Bo Svenson
1990 Midnight Ride No No Yes Bob Bralver produced by Cannon Pictures Inc.
American Ninja 4: The Annihilation No No Yes Cedric Sundstrom produced by Cannon Pictures Inc.
Lambada No No Executive Joel Silberg produced by Cannon Pictures Inc.
1992 Out of Control Yes No Yes Ovidio Assonitis and Roberto Piazzoli produced by Cannon Pictures Inc.
Scent of a Woman No No Executive Martin Brest nominated for Best Picture at the 65th Academy Awards
1993 No Place to Hide No No Yes Richard Danus produced by Cannon Pictures Inc.
1995 American Ninja V No No Yes Bob Bralver (as Bobby Gene Leonard) produced by Cannon Pictures Inc.
2003 Red Riding Hood No Yes Executive Giacomo Cimini based on Little Red Riding Hood by Charles Perrault and by Brothers Grimm
2023 Embryo No Yes Yes To Be Announced sequel to Beyond the Door

References

  1. "Tentacles, Demons, and a Psycho Twin: A Q&A with Ovidio Assonitis | The Terror Trap". www.terrortrap.com. Retrieved 2017-09-29. A Greek national born in Alexandria, ...
  2. Kennedy, Michael (November 10, 2020). "How Piranha 2 Inspired James Cameron's The Terminator". Screen Rant. Unfortunately for him, working with Italian producer Ovidio G. Assonitis proved to be hellish, ...
  3. 1 2 3 4 5 AA. VV. Beyond the Screen. Il cinema di Ovidio G. Assonitis. "Nocturno dossier" N. 82, May 2009, Cinemabis.
  4. Mackenzie, Michael. "Giallo in Venice, a video interview with author and critic Michael Mackenzie" (Interview). Interviewed by Arrow Video.
  5. Lenzi, Umberto. "Man from Deep River DVD Extras" (Interview). Interviewed by Shriek Show.
  6. David Carter. "Savage Cinema". Savage Cinema. Archived from the original on 2 April 2017. Retrieved 2006-10-24.
  7. Mark Martinez. "Kult Movies". Kult-movies.com. Archived from the original on 27 September 2007. Retrieved 2006-10-24.
  8. Cannibal Ferox (inset). Umberto Lenzi. United States: Grindhouse Releasing. 2000 [1981]. GRID 9658 DVD.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  9. Man from Deep River (back cover). Umberto Lenzi. United States: Shriek Show (Media-Blasters). 2004 [1972]. SSDVD 0421.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  10. "Cestiè: se il cinema chiama dico sì". TGCom. 13 May 2009. Retrieved 29 January 2012.
  11. 1 2 "Beyond the Door". AFI Catalog of Feature Films. Los Angeles, California: American Film Institute. Archived from the original on 21 December 2019.
  12. Marco Giusti (1999). Dizionario dei film italiani stracult. Sperling & Kupfer. ISBN 8820029197.
  13. Roberto Chiti; Roberto Poppi; Enrico Lancia. Dizionario del cinema italiano: I film. Gremese, 1991. ISBN 8876059350.
  14. Marco Giusti (1999). Dizionario dei film italiani stracult. Sperling & Kupfer,1999. ISBN 8820029197.
  15. Richard Nowell (23 December 2010). 'Blood Money: A History of the First Teen Slasher Film Cycle. Continuum, 2011, p. 257. ISBN 9781441143167.
  16. Comici, Lou, Interview with Screenwriter Lou Comici, interviewed by Arrow Video
  17. Husney, Evan (June 19, 2013). "Drafthouse Films Rediscovers The Sci-Fi/Horror Epic That 1979 Couldn't Handle". Drafthouse Films. Retrieved June 20, 2013.
  18. "The VIsiter (1979) - Rotten Tomatoes". Rotten Tomatoes. Retrieved February 13, 2019.
  19. "Critics Reviews for The Visiter (1980) - Metacritic". Metacritic. Retrieved February 13, 2019.
  20. Kermode, Mark (2002). Chibnail, Steve; Petley, Julian (eds.). British Horror Cinema. Psychology Press. p. 18. ISBN 978-0-415-23003-2.
  21. "Fishy Business: The behind-the-scenes story of the 'Piranha' movies (Part II)". ew.com. Retrieved 2021-07-02.
  22. 1 2 3 "Fishy Business: The behind-the-scenes story of the 'Piranha' movies (Part II)", www.ew.com, retrieved 2021-07-02
  23. "The Curse (1987)". London, England: British Film Institute. 2021-07-02. Archived from the original on July 9, 2021.
  24. "The Curse (1987)". Box Office Mojo. Retrieved March 27, 2019.
  25. Interview on Shriek Show "Amok Train" Documentary, 2008. Last accessed: October 2009.
  26. "Where'd You Go? 10 Horror Stars We Want Back!!!". BloodyDisgusting. 2010-02-28.
  27. 1 2 "Pathe breached contract with Assonitis, Judge Rules". Variety. 9 February 1998. Retrieved 2021-07-02.
  28. Fox, David J. (1992-12-29). "Weekend Box Office Holiday Take a Nice Gift for the Studios". Los Angeles Times. Archived from the original on 2012-03-09. Retrieved 2010-11-14.
  29. Fox, David J. (1993-01-26). "Weekend Box Office 'Aladdin's' Magic Carpet Ride". Los Angeles Times. Archived from the original on 2009-07-25. Retrieved 2010-11-18.
  30. Welkos, Robert W. (1993-02-02). "Weekend Box Office 'Sniper' Takes Aim at 'Aladdin'". Los Angeles Times. Archived from the original on 2011-04-05. Retrieved 2010-11-18.
  31. "Moussa re-revs Canyon". Variety. 16 July 1997. Retrieved 2021-07-02.
  32. "Guez pumps $50 mil into Canyon". Variety. July 1998. Retrieved 2021-06-02.
  33. "Television". Animation World Network. March 1998. Retrieved February 16, 2020.
  34. "Home Video". Animation World Network. June 1998. Retrieved February 16, 2020.
  35. "Hudlin pacts with Canyon". Variety. April 1998. Retrieved 2021-06-02.
  36. "Oldenburg Film Festival to Honor "King of the Rip Offs" Ovidio Assonitis". The Hollywood Reporter. 2021-08-31. Retrieved 2022-09-05.
  37. "Cult Director Ovidio G. Assonitis Returns to Filmmaking With 'Beyond the Door' Sequel (Exclusive)". The Hollywood Reporter. 2021-09-06. Retrieved 2022-09-05.
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