Mezzo-soprano saxophone
Mezzo-soprano (left) and alto (right) saxophones.
Woodwind instrument
Classification Single-reed
Hornbostel–Sachs classification422.212-71
(Single-reed aerophone with keys)
Inventor(s)Adolphe Sax
Developed1840s
Playing range

    {
      \new Staff \with { \remove "Time_signature_engraver" }
      \clef treble \key c \major \cadenzaOn
      bes1 ^ \markup "written" \glissando f'''1
      ees1 ^ \markup "sounds" \glissando bes''1
    }
Mezzo-soprano saxophone in F sounds a perfect fifth lower than written. Most can reach high F♯ or higher, using altissimo fingerings.
Related instruments
Sizes:
Orchestral saxophones:
Specialty saxophones:
Musicians
See list of saxophonists

The mezzo-soprano saxophone, sometimes called the F alto saxophone, is an instrument in the saxophone family. It is in the key of F, pitched a whole tone above the alto saxophone. Its size and the sound are similar to the E alto, although the upper register sounds more like a B soprano. Very few mezzo-sopranos exist—they were only produced in 1928 and 1929 by the C.G. Conn company. They were not popular and did not sell widely, as their production coincided with the Wall Street Crash of 1929 and the Great Depression. Harsh economic conditions forced Conn to reduce the range of saxophones they produced to the most popular models.

Conn used the surplus stock of mezzo-sopranos to teach instrument repair in Conn's Elkhart workshops. Typically, a Conn instructor would deliberately damage the mezzo-sopranos (e.g. dropping them onto a concrete floor) and the students would then be tasked with repairing them. The repeated wear and tear of these actions eventually destroyed the saxophones.

Conn-O-Sax, c. 1930 by C.G. Conn. Musical Instrument Museum, Phoenix

Conn also developed the Conn-O-Sax in F but built straight, with a slightly curved neck, spherical liebesfuss-style bell, and extra keys for low A and up to high G, intended to imitate the form, range and timbre of the cor anglais. It was produced only in small numbers 1929–1930 and is highly sought after by collectors.

The mezzo-soprano is the only saxophone pitched in F that has ever been built, apart from prototypes of an F baritone. Although Maurice Ravel's 1928 orchestral work Boléro calls for a sopranino saxophone in F, it is unlikely the instrument ever existed; the part is usually performed on an E♭ sopranino or B♭ soprano.

Notable players of the mezzo-soprano saxophone include Anthony Braxton, James Carter, Vinny Golia, Jon Irabagon, and Jay Easton.

More recently, a mezzo-soprano in the key of G has been produced by Danish woodwind technician Peter Jessen, most notably played by Benjamin Koppel and Joe Lovano. Their collaboration can be heard on "The Mezzo Sax Encounter" (vinyl and CD, 2016) where Koppel and Lovano are accompanied by pianist Kenny Werner, bassist Scott Colley and drummer Johnathan Blake. This instrument is more in the timbral quality of the B soprano saxophone.

In classical music

It was asked for by Richard Strauss in his Sinfonia Domestica written in 1903–1904, which includes parts for four saxophones in the music, including an alto saxophone in F.

References


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